Beyond the Third Little Pig

8 May

Purdue University Demonstration Concrete House, Lafayette, Indiana.  Burnham Bros. & Hammond, Architects.  chas. Gambsky & Co., Builders.

If the third little pig had been building in the 1940′s he might have chosen to go brick one better and build from concrete.  At least according to his booklet promoting Concrete Homes, that is.  They give it the hard sell in shiny black and white photos interleaved with comments like “Any house you are planning to build, any architectural style from Cape Cod to Modern, will be a better house if built with concrete,” and, “this rugged, durable, firesafe type of construction assures low annual cost.”  I’m not sure any style of house is better in concrete – or really that any house is  full stop.  But it does have its uses.  I’m going to be exploring the benefits, drawbacks and history of concrete for the next few posts.  Meanwhile here are a few more design gems from the 40′s concrete industry and a lovely little piece of advertising copy straight out of Murder Must Advertise.

“Liveable” in Westport, Connecticut.  Frank Harper Bissel, Architect.

“Modern” Concrete Home in Glen Ellyn, Illinois.  Edward G. McClellan, Architect, F. Tomlins, Builder

“Cool in Summer” in Miami Beach, Florida.  Lester F. Preu, Designer and Builder.

This one is apparently “Easy to Decorate.”  Fresno, California by Richmond Construction, Co. Builders.

“And People Do Like Concrete Homes”

“When a person signs a contract to build a house of his own, his heart beats to a faster tempo, and hopes and fears and thrills of excitement race through his mind.  All during the days it takes to build, he is filled with anticipation and impatience until the time when it is finished and he can say: “Last year I dreamed this house; now I am in it.  It’s my home.”

“But long before this, the wise builder did a lot of thinking and planning.  The decision to build was no snap judgement; for building a home is a serious, though happy, undertaking.  He studied and balanced his budget; he accepted and rejected; finally he had what he wanted.  When he chose his house and determined to build, it was because he liked more about that house than any other house he could afford to buy.

“Why do people like concrete homes?  Well for many reasons – they say – and for different reasons, depending upon how each looks at homes.  One said, proudly: “My house is the best-looking house on the street, and it’s a fine street.”  Another one thought it was because he was “building something very staunch and strong, that wind and flood and fire couldn’t wipe out.”  He wanted security.  Someone else admitted he thought that he “could sell it, make some money on the deal and build another one something like it.”  He had an eye for business, but he never had so much fun as he had planning and building that house.  A thoughtful reason was this:  “I saw a very old concrete house, and it looked so new and apparently cost so little to keep going that I couldn’t go against my judgement when I decided to build.”

There were many reasons, and altogether they are the reasons why anyone should like concrete homes.

So, what was better this year than to show some of the houses people liked to build these last few years, and to demonstrate why they like to live in them?  The pictures and block plans are real houses from everywhere, and show that people have different tastes, all successfully worked out in concrete.  This booklet, with pictures and reasons, is presented with the hope that folks who are planning to build will want to know why so many people like concrete homes; that they may find many reasons why they, too, would like to build a durable firesafe home.”

The Portland Cement Association (1945)

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The beginning of citizenship

7 Apr

“Walking is only the beginning of citizenship, but through it the citizen knows his or her city and fellow citizens and truly inhabits the city rather than a small privatized part thereof.

Walking maintains the publicness and viability of public space.”

Rebecca Solint1

A Cabin with a View  (different kind of view)

21 Feb

Since I came across this art installation on the same evening that I introduced myself to E.M. Forster’s classic A Room with a View, I am thinking of said “view” as a scene of architectural urban glory rather than the more natural vista typically afforded by a cabin. I believe this to be appropriate – it only heightens the contrast intended by the artists, Jenny Chapman and Mark Reigelman.  Their creation, Manifest Destiny!, is a tiny cabin suspended from the side of Hotel des Arts in downtown San Francisco.  Its visually arresting if nothing else.  But it also feels like a commentary on simplicity versus complexity and what used to be considered enough.

“The cabin, hanging oddly from the side of a building, seems to represent the impossibility of the successful fulfillment of manifest destiny.  A nation cannot be built on both opportunity and entitlement.”

I couldn’t agree more with this passage from the essay by Jeanne Garrity which accompanies the installation.  It is of further interest that it was being installed last November just as the nearby Occupy! encampment was being turfed out of its ground by local law enforcement.

via laughing squid and the hairpin

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Noblest Art of all the Arts

18 Feb

“Ah, to build, to build! That is the noblest art of all the arts. Painting and sculpture are but images, are merely shadows cast by outward things on stone or canvas, having in themselves no separate existence. Architecture, existing in itself, and not in seeming a something it is not, surpasses them as substance shadow.”

Henry Wadsworth Longfellow

The City as an Egg

14 Feb

Sketch by Cedric Price, English architect and architectural theorist and author of Non-Plan: essays on freedom participation and change in modern architecture and urbanism.

via Per Square Mile

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Be Warm toward the World

11 Feb

“To achieve an ardent, creative response to life without losing a firm hold on objective knowledge, skills and discipline, a student needs to reverse the usual attitudes. According to Steiner, we must learn to be warm toward the world rather than warm about ourselves, and cool about ourselves rather than cool toward the world.”

John Fentress Gardner
Education in search of the spirit: essays on American education1

 

Bicycle Portraits

9 Feb

This isn’t entirely concerned with architecture but it is beautiful both in concept and execution, I’ve had it in a tab for a couple days just to look  again and I’m at least a week overdue with a post … so I’m sharing it.

The following are just a few of the hundreds of portraits taken by bicycle enthusiasts Stan Engelbrecht & Nic Grobler who spent two years traveling South Africa by bike and capturing the images and stories of fellow bicycle users along the way.  They are about to publish a book (below are a few sample images) but have already created a stunning website with more videos and an array of arresting photographs of South Africans and their bikes.

from their website:

“As you’ll see we haven’t been photographing people who ride purely for exercise or recreation, but instead we’ve focussed on those who use bicycles as an integral tool in their day-to-day existence. We’ve noticed that in South Africa, especially in the major centers, very few people use bicycles as mode of transport. This is very strange since we have no proper public transport infrastructure, and that which does exist is expensive and unsafe. Given all the benefits of cycling – independence, fitness, cost-effectiveness, environmentally friendly – we would love to encourage the use of bicycles in South Africa amongst all social classes.

“We’ve noticed that as our major centers develop there still seems to be a trend to make cities more friendly for cars, not people. While this might be happening in many places around the world the effect on individuals seems to be very dramatic in a country like South Africa, where there is a growing divide between those who can afford motorized transport and those who struggle to. Owning a bicycle in this social climate can be very empowering, if the correct infrastructure exists.

“As you might know, South Africa is a world within one country, home to various cultures, with a tragic history of segregation and racism. Through this project we wish to give people a glimpse into each other lives through a well known object of movement, practicality and joy – the bicycle. Looking at individuals through their, sometimes unconscious, involvement in bicycle culture, we have inadvertently touched on many charged issues like the implementation of public space, lack of infrastructure development and also social problems like class division and unequal wealth distribution, but still we hope perhaps to bring those unfamiliar to each other together in their love for a simple thing…”

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